Acoustic Levitation Of Stones
by Bruce Cathie
Monastery construction, Tibetan style
according to Swedish Designer Henry Kjellson
The steep mountain side is on the right. In the centre is the stone block, and on the left are the priests and musicians. S=big drum, M=medium drum, T=trumpeter. Inset shows method of suspending drum, and gives an idea of its size. As shown here, Kjellson says, the 200 priests are waiting to take up their positions in straight lines of 8 or 10 behind the instruments, 'like spokes in a wheel.' Unlikely as it may seem, this operation has an intriguing precision, made slightly more so by Kjellson's meticulously detailed description.
Tibetan Monks levitate stones by using an acoustic levitation technique with the aid
of drams in this 1939 sketch by Swedish aircraft designer Henry Kjellson.
All the similar types of stories that I had read up until now were generally devoid of
specific information necessary to prove the veracity of the account. In this case a full set of geometric measurements were taken, and I discovered,
to my great delight, that when they were converted into their equivalent geodetic measures, relating to grid harmonics the values gave a direct
association with those in the unified harmonic equations published in my earlier works.
The big drums were made of 3mm thick sheet iron, and had a weight of 150 kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks. The situation is demonstrated in the following diagram:
When the stone was in position the monk behind the small drum gave a signal to start
the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were
singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the
speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an
increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent it landed on the platform.
The reaction was not initiated by the religious fervor of the group, but by the
superior scientific knowledge held by the high priests. The secret is in the geometric placement of the musical instruments in relation to the stones
to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests, using their voices at a certain pitch
and rhythm most probably adds to the combined effect, but the subject matter of the chant, 1 believe, would be of no consequence.
By mathematical conversion we find that this value is equal to 206.2648062 geodetic feet, which is harmonically equal to the length of the earth's radius in seconds of arc (relative to the earth's surface) 206264.8062.
This also leads us to the following associations: (206.2648062 x 2) = 412.5296124
This number squared: = 170180.68 which is the theoretical harmonic of mass at the earth's surface.
The four rows of monks standing behind the instruments in a quarter circle added to
the production of sound by their loud chanting and must be taken in to account in regards to the geometric pattern. If we assume that they were
standing approximately two feet apart, we can add a calculated value of 8.08865 geodetic feet to the radius of the complete group. This gives a
maximum radius of: 214.3534583 geodetic feet.
This harmonic value is built into the world grid and is equal to half the harmonic 648.
As the dish-shape was focused upwards towards the stone block to be levitated it would be expected that some type of reaction would take place which had an effect on the mass. The geometric shape of the cavity does seem to be engineered in such a way that the projected frequency vortex causes a reciprocal reaction to the mass harmonic of each block.
I believe that there is not much doubt that the Tibetans had possession of the secrets
relating to the geometric structure of matter, and the methods of manipulating the harmonic values, but it we can grasp the mathematical theory
behind the incident, and extend the application, then an even more fascinating idea presents itself.
the Tibetan Monks can be combined in a circular, or disc, shape,
the resultant forces of the harmonic fields set up would combine into a doughnut shapedanti-gravitational field
which would levitate the disc, or vehicle.